Panasonic Lumix GX1 easily on-Which? attending aboriginal review

!: Panasonic Lumix GX1 easily on-Which? attending aboriginal review

www.which.co.uk We take a look at the new Panasonic Lumix GX1 to high end micro four thirds camera with a 16 megapixel sensor and a host of manual controls

Panasonic Lumix GX1 easily on-Which? attending aboriginal review

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Panasonic Lumix DMC-GH2 Digital SLR Camera Review

!: Panasonic Lumix DMC-GH2 Digital SLR Camera Review

Panasonic Lumix DMC-GH2, the latest LUMIX G Micro System next generation. Compatible with Micro Four Thirds standard, the LUMIX G Micro System with machine combines a compact body and advanced features that enable you to achieve excellent performance and maximum comfort during use. Not to mention that this camera, mounted once the target H-FT012 is capable of amazing shots in 3D.

Featuring an intuitive touch-control system, the new Panasonic Lumix DMC-GH2 has the fastest autofocus in the world (Light Speed AF): just 0.1 seconds to put a subject in sharp focus. Key components such as sensor and image processor, have been completely revised to achieve even greater performance and stunning images for resolution and color rendition. The end result is GH2-DMC, the flagship of the LUMIX G Micro System.

For a hybrid digital camera recording the video is no longer a simple additional function, but an integral element that allows you to choose whether to shoot or film depending on the situation and subject. In this respect DMC-GH2 is innovative and allows you to make movies of the highest quality Full HD 1920x1080/50i (PAL), with powerful output 50p. The video made with the 24p movie - similar to the films you see at the cinema - with a maximum bit rate of 24 Mbps, produce higher quality images with an expressive effect after image. Not only that, along with the Cinema mode - new option added to the already well-known movie mode - 24p movie allows video to have a higher alcohol content, similar to that of the films seen at the cinema. The new Variable Movie mode allows video recording with variable frame rates to create original effects of slowing down or speeding up. By enabling the new EX Tele Conversion function, you can virtually extend the zoom - for both photo and video - over the original limit, to approach the subject more. The HDMI output allows you to see on a screen in real time the images you are seeing: a function that can be useful in the professional world.

High performance, advanced technologies and innovative components: the Panasonic Lumix DMC-GH2 HD hybrid offers a world of creative opportunities to those wishing to explore the possibilities of photography and video shooting.

The intuitive touch-control, already available in the DMC-G2 and appreciated for its outstanding comfort, is also included in the Panasonic DMC-GH2: This system allows you to take and set the parameters by directly touching the display. This is a clever free-angle LCD, which joins the new Multi Aspect Wide Screen viewfinder LVF (Live View Finder): The Lumix DMC-GH2 with the photographer has all the tools to be able to focus only on the shoot. Another advantage of this model and all the LUMIX G Micro System is the continuous increase in the number of compatible interchangeable lenses at the time are 11, including the brand new LUMIX G 14mm / F2.5 ASPH (H-H014) to focus fixed, the LUMIX G VARIO telephoto 100-300mm / F4.0-5.6 / MEGA OIS (H-FS100300), and the objective 3D LUMIX G 12.5mm / F12 (H-FT012). With this goal 3D, the first interchangeable in the world for a digital camera, you can not only see the images in 3D, but also achieve them in person.

The highly acclaimed My Color Mode and Movie Mode (Cinema, which includes the new option) allow you to be at his best when he realizes that when shooting movies. The iA (Intelligent Auto) is constantly evolving and, in the DMC-GH2, including the D-range Intelligent Control. Intelligent Resolution presents the new "Extended" for a more natural of the large prints.

Panasonic Lumix DMC-GH2 Digital SLR Camera Review

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Panasonic Lumix DMC-FZ40 14.1 MP Digital Camera with 24x Optical Image Stabilized Zoom and 3.0-Inch LCD - Black

!: Promo Panasonic Lumix DMC-FZ40 14.1 MP Digital Camera with 24x Optical Image Stabilized Zoom and 3.0-Inch LCD - Black sale off

Brand : Panasonic | Rate : | Price : $399.95
Post Date : Dec 29, 2011 01:41:28 | Usually ships in 24 hours

Panasonic Lumix DMC-FZ40 14.1 MP Digital Camera with 24x Optical Image Stabilized Zoom and 3.0-Inch LCD - Black

Panasonic Lumix DMC-FZ40 14.1 Megapixel Bridge Camera - 4.50 mm-108 mm - Black DMCFZ40K Digital Cameras

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Panasonic Lumix DMC-LX5 10.1 MP Digital Camera with 3.8x Optical Image Stabilized Zoom and 3.0-Inch LCD - Black

!: Prices Panasonic Lumix DMC-LX5 10.1 MP Digital Camera with 3.8x Optical Image Stabilized Zoom and 3.0-Inch LCD - Black Get it now!

Brand : Panasonic | Rate : | Price : $329.99
Post Date : Dec 06, 2011 23:20:27 | Usually ships in 24 hours

Panasonic Lumix DMC-LX5 10.1 MP Digital Camera with 3.8x Optical Image Stabilized Zoom and 3.0-Inch LCD - Black

The Panasonic Lumix DMC-LX5 is a unique compact digital camera offering photo enthusiasts the ideal way for capturing professional-quality photos and High Definition (HD) video. With an ultra-bright F2.0 ultra-wide-angle 24mm Leica DC Vario-Summicron lens, the Lumix LX5 minimizes image distortion, resulting in stunning, true-to-life images with outstanding resolution and detail.The F2.0 lens is twice as bright as a F2.8 lens, making it easy to produce beautiful photos with a soft-focused background thanks to the shallow depth of field provided by the extra light.

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Panasonic Lumix DMC-FZ28 review

!: Panasonic Lumix DMC-FZ28 review

Full review at www.cameralabs.com. Ten minutes walk through the latest Panasonic 18x superzoom camera, the Lumix FZ28, byGordon Laing, Editor of www.cameralabs.com. For our full review, sample images, results and current prices, please click the link at the top of this text or visit camera labs. com. If you have any questions regarding this notice, contact the Forum Camera Labs review!

Panasonic Lumix DMC-FZ28 review

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